An edit is where a pile of footage becomes an argument. Our editors are story editors first: they cut for structure and pace, then colour, mix and graphic the film to a standard that holds up on a boardroom screen and a phone.
Transcription, paper edit, selects, rough cut and fine cut. We cut interviews down to the sentences that actually carry the point, structure the film to a runtime you can defend, and deliver review links with time-coded commenting so a stakeholder group can give one consolidated round of notes.
Shot matching across cameras and shoot days, primary and secondary grade, skin tone work, and delivery in Rec.709 or HDR. Log and RAW workflows, so footage shot months and cities apart still looks like one film.
Dialogue cleanup and noise removal, room tone, sound design, licensed music search, professional voiceover casting and recording, and a loudness-compliant mix for broadcast, web and social.
Every master comes with the versions people actually ask for later: 16:9, 1:1 and 9:16 cutdowns, sound-off subtitle burn-ins, SRT and VTT caption files, silent social edits, trade show loops and translated language versions.
Fifteen minutes with a senior producer, a clear recommendation, and a detailed estimate if you want one.